/ editorial

Most of Mcfarlin’s pieces deal with his own biography and negotiate themes of race, identity, and queerness. Growing up within and outside of various U.S. military bases around the world, he is also familiar with the practice of simulation. He describes the environment of his childhood as the staging of a quasi-America..

Most of Mcfarlin’s pieces deal with his own biography and negotiate themes of race, identity, and queerness. Growing up within and outside of various U.S. military bases around the world, he is also familiar with the practice of simulation. He describes the environment of his childhood as the staging of a quasi-America..

Jellitsch artworks typically show clear black lines and recurring patterns that, neatly organized within zones, find their place on the canvas. Only on closer look they reveal slight irregularities and expose the method of hand drawing, thus again building a bridge to man and the human body and/or the work he is able...

Jellitsch artworks typically show clear black lines and recurring patterns that, neatly organized within zones, find their place on the canvas. Only on closer look they reveal slight irregularities and expose the method of hand drawing, thus again building a bridge to man and the human body and/or the work he is able...

When Baumann increasingly relied on the “help” of machines to realize his works of art in the early 1990s, he could by no means be sure of a positive response. Expectations — especially on the old continent — were still too strongly oriented toward traditional images of the artists and his creation. Moreover, the inclusion...

When Baumann increasingly relied on the “help” of machines to realize his works of art in the early 1990s, he could by no means be sure of a positive response. Expectations — especially on the old continent — were still too strongly oriented toward traditional images of the artists and his creation. Moreover, the inclusion...

In their joint artistic works, Titania Seidl and Lukas Thaler are particularly concerned with the staging of relationships and the resulting communication. Everything desires to speak to each other in these works, regardless of linguistic barriers.

In their joint artistic works, Titania Seidl and Lukas Thaler are particularly concerned with the staging of relationships and the resulting communication. Everything desires to speak to each other in these works, regardless of linguistic barriers.

Through the method of retro-fiction (Pess himself uses the term "alternative past"), he succeeds in expanding the discourse on topics such as identity, gender, capitalism, religion, power, art, and many more. Pess constantly avoids conformity, but certainly not humor...

Through the method of retro-fiction (Pess himself uses the term "alternative past"), he succeeds in expanding the discourse on topics such as identity, gender, capitalism, religion, power, art, and many more. Pess constantly avoids conformity, but certainly not humor...

For all of us who prefer to think of our environment in terms of categories, a confrontation with Verena Dengler will certainly be an imposition. Is she a sculptor, a painter, a feminist activist, a critic, or an author, they will ask themselves. Dengler’s answer to that: “yes”. In addition to phenomena of...

For all of us who prefer to think of our environment in terms of categories, a confrontation with Verena Dengler will certainly be an imposition. Is she a sculptor, a painter, a feminist activist, a critic, or an author, they will ask themselves. Dengler’s answer to that: “yes”. In addition to phenomena of...

How do the culturally prefabricated role models of a woman come into being and which ones serve as playful means for my art? These questions constitute an intrinsic component of Vasilyeva’s artistic work. By the age of 14, she had started experimenting with photo collages made from a myriad of self-portraits...

How do the culturally prefabricated role models of a woman come into being and which ones serve as playful means for my art? These questions constitute an intrinsic component of Vasilyeva’s artistic work. By the age of 14, she had started experimenting with photo collages made from a myriad of self-portraits...

Dukic approaches the possibilities of sound with a laboratorian sensibility in hour-long experiments/studio sessions with the assistance of various synthesizers — including Roland SH 101, Syncussion, Maxi Korg, MS20 and most importantly the Synamp Moog. Each element within his sound-laboratorium functions as a kind...

Dukic approaches the possibilities of sound with a laboratorian sensibility in hour-long experiments/studio sessions with the assistance of various synthesizers — including Roland SH 101, Syncussion, Maxi Korg, MS20 and most importantly the Synamp Moog. Each element within his sound-laboratorium functions as a kind...

What is the concept of ‘home’ for us in particular — and what categories, what possibilities are revealed by this question? How do we resemble each other and how do we differ in relation to the concept of home as a conjunction of privacy and intimacy?

What is the concept of ‘home’ for us in particular — and what categories, what possibilities are revealed by this question? How do we resemble each other and how do we differ in relation to the concept of home as a conjunction of privacy and intimacy?

Markus Oehlen is a painter, musician and sculptor. While studying at the Kunstakademie Düsseldorf he already developed a strong interest in the cross-over of various media. Alongside the conjunction of printing techniques, photography graphics and painting on canvas, he transferred these...

Markus Oehlen is a painter, musician and sculptor. While studying at the Kunstakademie Düsseldorf he already developed a strong interest in the cross-over of various media. Alongside the conjunction of printing techniques, photography graphics and painting on canvas, he transferred these...

Linn Phyllis Seeger’s series “Facescapes 01, 02” resembles an odyssey into one’s own existential woods. We venture deeper into a terrain that seems like a never-ending process of exploration. It establishes an understanding of our own vulnerability and fragmented reality by representing hers. In the form...

Linn Phyllis Seeger’s series “Facescapes 01, 02” resembles an odyssey into one’s own existential woods. We venture deeper into a terrain that seems like a never-ending process of exploration. It establishes an understanding of our own vulnerability and fragmented reality by representing hers. In the form...

The series of ten digital drawings by the Austrian media artist Peter Kogler was originally made on a Commodore 64 in 1984 and represent one of his first explorations with assisted computer drawing software called KoalaPainter and its corresponding graphics tablet. The C64 version of the programme operated in...

The series of ten digital drawings by the Austrian media artist Peter Kogler was originally made on a Commodore 64 in 1984 and represent one of his first explorations with assisted computer drawing software called KoalaPainter and its corresponding graphics tablet. The C64 version of the programme operated in...